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The Valiant Red Peony: Red Peony Gambler I-III (Limited Edition, Region B) w/SLIP

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Originally released between 1968 and 1972, theRed Peony Gamblerseries is a cornerstone of theninkyo eigagenre and a clear influence on such cult favourites such asLady Snowbloodand Quentin TarantinosKill Bill. TheMasters of Cinemaseries is proud to present the first threeRed Peony Gamblerfilms, starringJunko Fuji(13 Assassins) and directed by three titans of Japanese genre cinema inKsaku Yamashita, Norifumi SuzukiandTai Kat.

Set during the Meiji era,Red Peony Gamblerstars Fuji as Ryuko Yano, the daughter of a gambler. When her father is murdered, Ryuko takes on a new name derived from the crimson flower tattooed on her shoulder Oryu, the Red Peony and sets out for revenge. Then, inRed Peony Gambler 2: Gamblers Obligation, Oryu falls in with a group of yakuza attempting to monopolise the silk trade. When machinations within the gang lead to a betrayal, the Red Peony takes action. Finally, inRed Peony Gambler 3: The Flower Cards Game, Oryu meets a pair of star-crossed lovers as she becomes embroiled in a conflict between rival yakuza clans.

Fuji would go on to play the Red Peony five more times, cementing the character as the archetype for many of the vengeful women to follow in Japanese cinema and beyond. These early entries in theRed Peony Gamblerseries are presented here for the first time ever on Blu-ray frombrand new restorationsof the original film elements by Toei.

SPECIAL EDITION TWO-DISC BLU-RAY FEATURES:

Limited edition O-card slipcase featuring new artwork by Grgory Sacr (Gokaiju) [First print run of 2000 copies only]| 1080p HD presentation of all three films from restorations of the original film elements supplied by Toei | Original Japanese audio tracks (uncompressed LPCM mono) | Brand new audio commentary tracks on all three films |Tony Rayns onRed Peony Gambler brand new interview with critic and Asian cinema expert Tony Rayns | Trailers |PLUS:A collectors booklet featuring new writing by Jennifer Coates (Making Icons: Repetition and the Female Image in Japanese Cinema, 19451964) and Joe Hickinbottom

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